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Pushed by her long-standing curiosity in structure, Barbara Kruger’s work is all the time contextual—knowledgeable by the precise web site and second of its presentation whereas additionally adapting to and experimenting with new applied sciences.
This function—an internet dimension to the expansive exhibition THINKING OF YOU. I MEAN ME. I MEAN YOU.—outlines just a few of the varied screens, surfaces, and areas throughout the museum and metropolis that host the artist’s photos and phrases, whereas permitting you to nearly discover these areas by means of 360° images. It additionally highlights how Kruger’s work, in these totally different areas, displays on the collective perception and doubt, kindness and cruelty, and humor and empathy inherent to the human situation.
Kruger has reworked the setting of Regenstein Corridor, the primary particular exhibition house on the Artwork Institute, together with her impactful installations—a lot of which examine how we expertise photos and the best way they form tradition.
Discover the 360° views by clicking and dragging or through the use of the arrows. Choose the pin icons to leap to that location. The sq. icon within the decrease proper lets you disguise the varied areas; click on it once more to make them seen once more.
Untitled (I Store Subsequently I AM) (1987/2019) and Untitled (That’s the Method We Do It) (2011/2020), put in within the narthex or entryway of Regenstein Corridor, each applicable her personal earlier work and have others’ appropriations of her work discovered on-line. Collectively, these installations concurrently replicate and parody the methods of commodity manufacturing and sale, elevating questions on artwork, authenticity, and authorship within the digital age and in regards to the alarming proliferation of visible data we’re uncovered to day by day.
Eternally (2017), a full-room wrap within the exhibition’s first gallery house, options the artist’s personal phrases with quotes from George Orwell and Virginia Woolf on the character of fact, energy, perception, and doubt.
The third house featured is an expansive gallery the place large-scale works from the early Nineteen Nineties and 2000s are put in alongside 4 newly animated “replays”—as Kruger calls this new collection of movies. The replays pattern her earlier work, resembling Your Physique Is a Battleground, as supply materials and injects every transferring picture with modern wordplay. 
Transcending the normal exhibition house, THINKING OF YOU. I MEAN ME. I MEAN YOU. extends into varied galleries and public areas.
Discover the 360° views by clicking and dragging or through the use of the arrows. Choose the pin icons to leap to that location. The sq. icon within the decrease proper lets you disguise the varied areas; click on it once more to make them seen once more.
Serving as sensory guides up towards the primary exhibition in Regenstein Corridor are two new works. Untitled (Rice Risers) (2020), which is put in on the risers of two parallel staircases, options variations on the phrase “Not _______ Sufficient,” whereas the audio set up Untitled (Stairway) (2021)—a mix of heavy metallic bangs together with pacing footsteps—permeates the auditory setting of the house. 
A departure from Kruger’s two-dimensional observe, her 1997 fiberglass statue Justice greets guests to our gallery of Nineteenth-century neoclassical American sculpture. The statue (not sculpture, because the artist specifies) is one among 4 fiberglass works she made depicting key historic figures in compromising poses. These works tackle the unexamined constructions of historical past and the problematic place of public commemorative monuments: questioning who’s honored and why. Justice depicts infamous American lawyer Roy Cohn (1927–1986) carrying heels and draped in an American flag whereas kissing former Director of the Federal Investigation Bureau J. Edgar Hoover (1895–1972). Kruger selected an intimate embrace that stands in distinction to her topics’ political personas and their homophobic, racist, and anti-democratic insurance policies—a alternative the artist described as “attempting to interrupt down the sanctity across the rallying requires ‘Justice’ and ‘Household’ and take care of the complicated contradictions of private and non-private lives.” 
On the ground of Griffin Court docket, the Fashionable Wing’s hovering atrium, Kruger has reprised the work Untitled (Blind Idealism), tailored from psychiatrist and political thinker Frantz Fanon’s (1925–1961) authentic assertion, “Blind idealism is reactionary.” Kruger’s further adjectives (“scary” and “lethal”) tackle the enduring necessity of responding to 1’s context—whether or not it’s environmental, political, and societal. The artist’s chosen web site for the work transfers this pressing message from the textual web page to a bodily, institutional house.
Turning 180 levels from Untitled (Blind Idealism), you’ll discover Untitled (Balcony Café) (2020) on the again wall of what was in pre-pandemic instances the museum’s Balcony Café. Kruger made this work earlier than the pandemic closed the museum’s eating places and meant it to not solely complement the set up in Griffin Court docket however to additionally function the backdrop of the café—a singular house of gathering, passing by means of, resting, and replenishing.  
Earlier than guests even step contained in the Artwork Institute, they encounter Kruger’s work. The artist has created window installations throughout the facade of the Michigan Avenue and Fashionable Wing entrances, for the wall alongside Monroe Road from the nook of Michigan Avenue to the museum’s worker entrance, and for the home windows of the Alsdorf Galleries, above the Metra practice tracks. Like her installations all through the interiors of the museum and all through the town, this work engages guests and even passers-by with impactful messages that immediate dialogue and considerate reflection.
Discover the 360° views by clicking and dragging or through the use of the arrows. Choose the pin icons to leap to that location. The sq. icon within the decrease proper lets you disguise the varied areas; click on it once more to make them seen once more.
Kruger has made work not just for the museum campus but additionally for areas all through the town, activating Chicago’s neighborhoods with the exhibition’s signature design of THINKING OF YOU. I MEAN ME. I MEAN YOU. in addition to her ongoing collection Untitled (Questions) (1995/2021). See a full list of locations across the metropolis and museum campus.
These interventions culminate in Art on theMART’s first solo artist collection, commissioned from Kruger.
Participating Artwork on theMART’s public platform, Kruger’s projection asks a collection of provocative questions that invite considerate consideration. The work is emblazoned throughout theMART’s monumental 2.5-acre riverside facade each evening at 7:30 and eight:00 p.m. by means of November 25.
Lead particular person assist for THINKING OF YOU. I MEAN ME. I MEAN YOU. is generously supplied by Liz and Eric Lefkofsky.
Lead basis assist is generously supplied by Caryn and King Harris, The Harris Household Basis.
Main funding is contributed by the Society for Up to date Artwork by means of the SCA Activation Fund, The Andy Warhol Basis for the Visible Arts, Margot Levin Schiff and the Harold Schiff Basis, Shawn M. Donnelley and Christopher M. Kelly, Constance and David Coolidge, and the Auxiliary Board Exhibition Fund.
Further assist is supplied by Helyn Goldenberg and Michael Alper and the Susan and Lewis Manilow Fund. 
Members of the Luminary Belief present annual management assist for the museum’s operations, together with exhibition growth, conservation and assortment care, and academic programming. The Luminary Belief contains an nameless donor, Neil Bluhm and the Bluhm Household Charitable Basis, Karen Grey-Krehbiel and John Krehbiel, Jr., Kenneth C. Griffin, the Harris Household Basis in reminiscence of Bette and Neison Harris, Josef and Margot Lakonishok, Robert M. and Diane v.S. Levy, Ann and Samuel M. Mencoff, Sylvia Neil and Dan Fischel, Anne and Chris Reyes, Cari and Michael J. Sacks, and the Earl and Brenda Shapiro Basis.
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Discover all the data you want—plus useful ideas—to plan your go to
Begin planning
Discover the works in our assortment and delve deeper into their tales.
Begin your discovery
Be a part of us for a variety of applications—there's one thing for guests of all ages.
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