<svg width="110" height="18" fill="none" xmlns="http://www.w3.org/2000/svg"><g clip-path="url(#a)" fill="#000"><path d="M79.42 9.335c0-.484.523-.672 1.085-.672.908 0 1.769.282 1.769.282V7.628c-.59-.174-1.193-.241-1.89-.241-1.528 0-2.6.725-2.6 1.908 0 2.299 3.162 1.708 3.162 2.823 0 .551-.495.7-1.218.7-.51 0-1.327-.2-1.916-.406v1.304c.49.195 1.18.378 1.862.378 1.487 0 2.907-.444 2.907-2.043 0-2.218-3.162-1.64-3.162-2.715l.001-.001Zm8.337 1.345c0-1.491.817-2.003 1.783-2.003.643 0 1.32.19 1.774.364V7.696c-.536-.174-1.01-.31-1.802-.31-2.104 0-3.404 1.291-3.404 3.375 0 1.975.938 3.333 3.31 3.333.75 0 1.333-.148 1.976-.364v-1.317c-.723.282-1.279.39-1.775.39-1.044 0-1.862-.484-1.862-2.124v.001ZM42.273 8.596h-.054V7.548h-1.474v6.384h1.581v-3.804c.496-.94 1.099-1.25 2.105-1.25h.16V7.494s-.227-.027-.428-.027c-.858 0-1.448.336-1.89 1.13Zm19.837 0h-.053V7.548h-1.474v6.384h1.58v-3.804c.497-.94 1.1-1.25 2.105-1.25h.16V7.494s-.227-.027-.428-.027c-.857 0-1.447.336-1.889 1.13Zm45.76-1.21c-.682 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0-.297-.02-.573-.055-.831v.001Z"/></g><defs><clipPath id="a"><path fill="#fff" d="M0 0h109.895v18H0z"/></clipPath></defs></svg>{"id":61804,"date":"2023-05-31T17:02:59","date_gmt":"2023-05-31T16:02:59","guid":{"rendered":"https:\/\/pley2win.com\/crypto-gaming\/0xdeafbeef-nft-creator-cointelegraph-magazine\/"},"modified":"2023-05-31T17:02:59","modified_gmt":"2023-05-31T16:02:59","slug":"0xdeafbeef-nft-creator-cointelegraph-magazine","status":"publish","type":"post","link":"https:\/\/pley2win.com\/?p=61804","title":{"rendered":"0xDEAFBEEF, NFT Creator \u2013 Cointelegraph Magazine"},"content":{"rendered":"<p> <br \/>\n<\/p>\n<div>\n<p><strong>When NFTs first took off, it was <a href=\"https:\/\/twitter.com\/beeple\" target=\"_blank\" rel=\"nofollow noopener\">Beeple\u2019s<\/a> digital art, CryptoPunks and Bored Ape Yacht Club PFPs that dominated the headlines and top sales \u2014 but one individual bucked the trend in a unique way, garnering attention with generative audiovisual art using just a C compiler.\u00a0<\/strong><\/p>\n<p>That individual was <a href=\"https:\/\/twitter.com\/_deafbeef\" target=\"_blank\" rel=\"nofollow noopener\">0xDEAFBEEF<\/a>, an artist and engineer based in Toronto, Canada who\u2019s spent over 20 years experimenting with art, technology, music, generative art, computer animation, blacksmithing and sound recording.\u00a0<\/p>\n<p>Using low-level computer code and a minimal toolset to craft raw information into audiovisual artworks has proven more popular than you might expect. A collection of six of 0xDEAFBEEF\u2019s sold for $6.8 million in August 2021, and two weeks ago, \u201cSeries 1: Angular \u2013 Token 134\u201d fetched $241,300 at Sotheby\u2019s. It was auctioned during part 1 of \u201cGrails,\u201d a collection of highly desirable NFTs originally owned by the now-insolvent 3AC (Three Arrows Capital).<\/p>\n<p>Trained on classic piano as a kid and somewhat of a mad scientist when it came to audio equipment, discovering a programmable blockchain in Ethereum was a revelation.<\/p>\n<section class=\"adv-banner adbutler-ad adbutler-ad__desktop\">\n<div class=\"container\"><!-- 1456x180 [img] --><br \/>\n<img decoding=\"async\" src=\"https:\/\/servedbyadbutler.com\/adserve\/;ID=169476;size=728x90;setID=601214;referrer=https%3A%2F%2Fcointelegraph.com%2Fmagazine%2Fmad-scientists-nfts-degrade-when-theyre-traded-0xdeafbeef-nft-creator%2F;type=img\"\/><noscript><img decoding=\"async\" src=\"https:\/\/servedbyadbutler.com\/adserve\/;ID=169476;size=728x90;setID=601214;referrer=https%3A%2F%2Fcointelegraph.com%2Fmagazine%2Fmad-scientists-nfts-degrade-when-theyre-traded-0xdeafbeef-nft-creator%2F;type=img\"\/><\/noscript><\/div>\n<\/section>\n<section class=\"adv-banner adbutler-ad adbutler-ad__mobile\">\n<div class=\"container\"><!-- 600x500 [img] --><br \/>\n<img decoding=\"async\" src=\"https:\/\/servedbyadbutler.com\/adserve\/;ID=169476;size=300x250;setID=601213;referrer=https%3A%2F%2Fcointelegraph.com%2Fmagazine%2Fmad-scientists-nfts-degrade-when-theyre-traded-0xdeafbeef-nft-creator%2F;type=img\"\/><noscript><img decoding=\"async\" src=\"https:\/\/servedbyadbutler.com\/adserve\/;ID=169476;size=300x250;setID=601213;referrer=https%3A%2F%2Fcointelegraph.com%2Fmagazine%2Fmad-scientists-nfts-degrade-when-theyre-traded-0xdeafbeef-nft-creator%2F;type=img\"\/><\/noscript><\/div>\n<\/section>\n<p>\u201cI\u2019d describe myself as a tinkerer, jumping around between many fields, overlapping art and technology. It just happened that the project that I commenced before I knew anything about NFTs, doing audiovisual work with code, happened to align with things that were happening within Ethereum,\u201d 0xDEAFBEEF says.\u00a0<\/p>\n<blockquote class=\"wp-block-quote\">\n<p>\u201cIt was great timing. When I look back, had I missed that window in 2021 by three to six months, things might have looked much different.\u201d\u00a0<\/p>\n<\/blockquote>\n<p>But like so many successful NFT artists that have emerged in the explosion of the new digital art era, \u201cnot planned\u201d is a common theme.\u00a0<\/p>\n<p>In March 2021, his \u201cSynth Poems\u201d were born, inspired by the sound of analog synthesizers. These short generative music pieces are stored fully on-chain.\u00a0<\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\">\n<div class=\"jeg_video_container jeg_video_content\"><iframe loading=\"lazy\" title=\"Coding music from scratch in C\" width=\"500\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/d3PmAlKgIKc?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<\/figure>\n<h2 id=\"h-nfts-that-degrade-in-quality\"><strong>NFTs that degrade in quality\u00a0<\/strong><\/h2>\n<p>NFTs have been a playground for experimentation, and 0xDEAFBEEF\u2019s work \u201cEntropy\u201d is unique in that the tokens degrade in quality each time they are traded.\u00a0<\/p>\n<p>\u201cEntropy is thematically about permanence, and permanence is a theme of on-chain generative art. It\u2019s a theme of crypto in general with things being permanent and immutable,\u201d says 0xDEAFBEEF.\u00a0<\/p>\n<blockquote class=\"wp-block-quote\">\n<p>\u201cIt was interesting to me. There\u2019s a narrative of on-chain art being more permanent than other NFTs where the files are stored on another server and have the potential to disappear. But I asked myself the question of how immutable it is through \u2018Entropy.\u2019\u201d\u00a0<\/p>\n<\/blockquote>\n<p>\u201cUsing the \u2018Entropy\u2019 artwork to paradoxically critique the idea of permanence by having this digital artwork that changes and degrades every time it changes ownership \u2014 I thought it was interesting thematically.\u201d\u00a0<\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\">\n<div class=\"jeg_video_container jeg_video_content\"><iframe loading=\"lazy\" title=\"Entropy\" width=\"500\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/6fP0k6JZh4w?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<\/figure>\n<p>Since the recent introduction of the Blur marketplace, many NFT collections, particularly PFP projects, have seen the emphasis on aesthetics decline with most sales being anchored to current floor prices. It\u2019s also posed the question of does the number of times an NFT gets passed around between owners matter?\u00a0<\/p>\n<p>For some collectors, it actually does. While a digital piece of art or collectible doesn\u2019t face the same wear and tear challenges a physical item does, the history of ownership could be a factor, with some collectors putting a premium on those that haven\u2019t been passed around like a hot potato.\u00a0<\/p>\n<div class=\"article-suggest\">\n<p>Read also<\/p>\n<div class=\"article-suggest__items\">\n<div class=\"article-suggest__item\">\n<p>                            <span>Features<\/span><\/p>\n<p>Soulbound Tokens: Social credit system or spark for global adoption?<\/p>\n<\/p><\/div>\n<div class=\"article-suggest__item\">\n<p>                            <span>Features<\/span><\/p>\n<p>Airdrops: Building communities or building problems?<\/p>\n<\/p><\/div>\n<\/div>\n<\/div>\n<p>\u201cEntropy\u201d was an experiment ahead of its time. \u201cPeople can have their own interpretation, but I don\u2019t think it was necessarily a means to really discourage people from trading the NFT or transferring the NFT,\u201d he says.\u00a0<\/p>\n<p>\u201cIs it more valuable if it\u2019s been transferred or not? It\u2019s up to the collectors to decide, but it does add this narrative. It wasn\u2019t really a way to stick it to people that are buying and selling works \u2014 that\u2019s obviously part of the culture. Tradability and collectibility is a very interesting dimension of NFTs. It\u2019s really just an artwork that touches on all of those themes and at least asks you to consider it.\u201d\u00a0<\/p>\n<h2 id=\"h-personal-style\"><strong>Personal style:\u00a0<\/strong><\/h2>\n<p>Many NFT collectors believe it\u2019s harder for digital artists that focus on audio to cut through as effectively as visual artists as audio takes longer to consume.\u00a0<\/p>\n<p>0xDEAFBEEF has been able to cut through this friction with his own distinct monochrome visual style that is a great hook to unlock the audio aspect of the art.\u00a0<\/p>\n<p>\u201cPeople see it first before they hear it usually because of the dominance of social media \u2014 it\u2019s all visually oriented. The monochrome aesthetic of my work is something that comes through a lot. There\u2019s a bunch of reasons why I work in monochrome. One of them is just being practical because this was originally a sound-based project,\u201d he says.\u00a0<\/p>\n<p>\u201cI was focused on audio synthesis, and I was focused on motion and animation. Bringing those two things together is already many dimensions, so working with sound and with motion that might introduce color is too much. Monochrome has sort of become part of the style for those reasons.\u201d\u00a0<\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\">\n<div class=\"jeg_video_container jeg_video_content\"><iframe loading=\"lazy\" title=\"Advection 222\" width=\"500\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/s8rDtdoQ-9c?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<\/figure>\n<h2 id=\"h-notable-sales-to-date\"><strong>Notable sales to date:<\/strong><\/h2>\n<p>DEAFBEEF Full Set (6 items) \u2014 Sold for 2,275 ETH ($6.8 million on the date of sale) on Aug. 19, 2021.\u00a0<\/p>\n<p>(The buyer was later revealed as Brevan Howard founder Alan Howard.)<\/p>\n<figure class=\"is-layout-flex wp-block-gallery-1 wp-block-gallery has-nested-images columns-default is-cropped\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"512\" height=\"509\" data-id=\"20302\" alt=\"Glitchbox\" class=\"wp-image-20302\" srcset=\"https:\/\/cointelegraph.com\/magazine\/wp-content\/uploads\/2023\/05\/glitchgox1.jpg 512w, https:\/\/cointelegraph.com\/magazine\/wp-content\/uploads\/2023\/05\/glitchgox1-300x298.jpg 300w, https:\/\/cointelegraph.com\/magazine\/wp-content\/uploads\/2023\/05\/glitchgox1-100x100.jpg 100w\" data-lazy-sizes=\"(max-width: 512px) 100vw, 512px\" src=\"https:\/\/cointelegraph.com\/magazine\/wp-content\/uploads\/2023\/05\/glitchgox1.jpg\"\/><noscript><img loading=\"lazy\" decoding=\"async\" width=\"512\" height=\"509\" data-id=\"20302\" src=\"https:\/\/cointelegraph.com\/magazine\/wp-content\/uploads\/2023\/05\/glitchgox1.jpg\" alt=\"Glitchbox\" class=\"wp-image-20302\" srcset=\"https:\/\/cointelegraph.com\/magazine\/wp-content\/uploads\/2023\/05\/glitchgox1.jpg 512w, https:\/\/cointelegraph.com\/magazine\/wp-content\/uploads\/2023\/05\/glitchgox1-300x298.jpg 300w, https:\/\/cointelegraph.com\/magazine\/wp-content\/uploads\/2023\/05\/glitchgox1-100x100.jpg 100w\" sizes=\"auto, (max-width: 512px) 100vw, 512px\"\/><\/noscript><figcaption class=\"wp-element-caption\"><mark style=\"color:#fafafa\" class=\"has-inline-color\"><em>\u201cGlitchbox\u201d from the set of 6. (OpenSea)<\/em><\/mark><\/figcaption><\/figure>\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"512\" height=\"497\" data-id=\"20305\" alt=\"Angular\" class=\"wp-image-20305\" srcset=\"https:\/\/cointelegraph.com\/magazine\/wp-content\/uploads\/2023\/05\/glitchbox2.jpg 512w, https:\/\/cointelegraph.com\/magazine\/wp-content\/uploads\/2023\/05\/glitchbox2-300x291.jpg 300w\" data-lazy-sizes=\"(max-width: 512px) 100vw, 512px\" src=\"https:\/\/cointelegraph.com\/magazine\/wp-content\/uploads\/2023\/05\/glitchbox2.jpg\"\/><noscript><img loading=\"lazy\" decoding=\"async\" width=\"512\" height=\"497\" data-id=\"20305\" src=\"https:\/\/cointelegraph.com\/magazine\/wp-content\/uploads\/2023\/05\/glitchbox2.jpg\" alt=\"Angular\" class=\"wp-image-20305\" srcset=\"https:\/\/cointelegraph.com\/magazine\/wp-content\/uploads\/2023\/05\/glitchbox2.jpg 512w, https:\/\/cointelegraph.com\/magazine\/wp-content\/uploads\/2023\/05\/glitchbox2-300x291.jpg 300w\" sizes=\"auto, (max-width: 512px) 100vw, 512px\"\/><\/noscript><figcaption class=\"wp-element-caption\"><mark style=\"color:#ffffff\" class=\"has-inline-color\"><em>\u201cAngular\u201d from the set of 6. (OpenSea)<\/em><\/mark><\/figcaption><\/figure>\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1016\" height=\"1024\" data-id=\"20301\" alt=\"Transmission\" class=\"wp-image-20301\" srcset=\"https:\/\/cointelegraph.com\/magazine\/wp-content\/uploads\/2023\/05\/glitchbox3-1016x1024.jpg 1016w, https:\/\/cointelegraph.com\/magazine\/wp-content\/uploads\/2023\/05\/glitchbox3-298x300.jpg 298w, https:\/\/cointelegraph.com\/magazine\/wp-content\/uploads\/2023\/05\/glitchbox3-100x100.jpg 100w, https:\/\/cointelegraph.com\/magazine\/wp-content\/uploads\/2023\/05\/glitchbox3-770x776.jpg 770w, https:\/\/cointelegraph.com\/magazine\/wp-content\/uploads\/2023\/05\/glitchbox3.jpg 1212w\" data-lazy-sizes=\"(max-width: 1016px) 100vw, 1016px\" src=\"https:\/\/cointelegraph.com\/magazine\/wp-content\/uploads\/2023\/05\/glitchbox3-1016x1024.jpg\"\/><noscript><img loading=\"lazy\" decoding=\"async\" width=\"1016\" height=\"1024\" data-id=\"20301\" src=\"https:\/\/cointelegraph.com\/magazine\/wp-content\/uploads\/2023\/05\/glitchbox3-1016x1024.jpg\" alt=\"Transmission\" class=\"wp-image-20301\" srcset=\"https:\/\/cointelegraph.com\/magazine\/wp-content\/uploads\/2023\/05\/glitchbox3-1016x1024.jpg 1016w, https:\/\/cointelegraph.com\/magazine\/wp-content\/uploads\/2023\/05\/glitchbox3-298x300.jpg 298w, https:\/\/cointelegraph.com\/magazine\/wp-content\/uploads\/2023\/05\/glitchbox3-100x100.jpg 100w, https:\/\/cointelegraph.com\/magazine\/wp-content\/uploads\/2023\/05\/glitchbox3-770x776.jpg 770w, https:\/\/cointelegraph.com\/magazine\/wp-content\/uploads\/2023\/05\/glitchbox3.jpg 1212w\" sizes=\"auto, (max-width: 1016px) 100vw, 1016px\"\/><\/noscript><figcaption class=\"wp-element-caption\"><em><mark style=\"color:#fafafa\" class=\"has-inline-color\">\u201c<\/mark><\/em><mark style=\"color:#fafafa\" class=\"has-inline-color\"><em>Transmission\u201d<\/em><\/mark><em><mark style=\"color:#fafafa\" class=\"has-inline-color\"> from the set of 6. (OpenSea)<\/mark><\/em><\/figcaption><\/figure>\n<\/figure>\n<p>\u201cAdvection\u201d (below) was sold for $307,157 on June 29, 2022.\u00a0<\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\">\n<div class=\"jeg_video_container jeg_video_content\"><iframe loading=\"lazy\" title=\"Advection 222\" width=\"500\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/s8rDtdoQ-9c?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<\/figure>\n<h2 id=\"h-influences\"><strong>Influences:<\/strong><\/h2>\n<p>0xDEAFBEEF cites American musician Frank Zappa as someone who was very influential early on in the way he thinks about music and art.\u00a0<\/p>\n<p>\u201cIt\u2019s about his music but also the spirit and ethos of it \u2014 sort of sticking to your guns and doing things for yourself. Another way I think about it is making things that aren\u2019t necessarily for the crowd,\u201d he said.\u00a0<\/p>\n<p>\u201cIf it wasn\u2019t for that encounter, I might have just kept on doing my engineering degree and wound up in a boring job and being regretful about things. It helped me give myself permission to do something more risky.\u201d<\/p>\n<p>\u201cI don\u2019t listen to Frank as much as I used to now. Looking back, he does have some problematic kinds of themes and things. I don\u2019t idolize him or anything, but he was still quite influential on me as a young person.\u201d\u00a0<\/p>\n<div class=\"article-suggest\">\n<p>Read also<\/p>\n<div class=\"article-suggest__items\">\n<div class=\"article-suggest__item\">\n<p>                            <span>Features<\/span><\/p>\n<p>Shanghai Special: Crypto crackdown fallout and what happens next<\/p>\n<\/p><\/div>\n<div class=\"article-suggest__item\">\n<p>                            <span>Features<\/span><\/p>\n<p>The Metaverse is awful today\u2026 but we can make it great: Yat Siu, Big Ideas<\/p>\n<\/p><\/div>\n<\/div>\n<\/div>\n<h2 id=\"h-which-hot-nft-artists-should-we-be-paying-attention-to\"><strong>Which hot NFT artists should we be paying attention to?\u00a0<\/strong><\/h2>\n<p><a href=\"https:\/\/twitter.com\/operator_______\" target=\"_blank\" rel=\"nofollow noopener\">Operator<\/a> \u2014 Experiential duo of <a href=\"https:\/\/twitter.com\/aniacatherine\" target=\"_blank\" rel=\"nofollow noopener\">Ania Catherine<\/a> and <a href=\"https:\/\/twitter.com\/dejhati\" target=\"_blank\" rel=\"nofollow noopener\">Dejha Ti<\/a>.\u00a0<\/p>\n<p>\u201cThey have a long-standing art practice, but more recently, I think they\u2019re working with generative choreography. I think that\u2019s really fascinating. They\u2019re coming at it from a very strong technical and conceptual aesthetic.\u201d<\/p>\n<p><a href=\"https:\/\/twitter.com\/trevorpaglen\" target=\"_blank\" rel=\"nofollow noopener\">Trevor Paglan<\/a> \u2014 Satellites, deep-time, seeing machines, infrastructure<\/p>\n<p>\u201cTrevor is an artist that investigates. He has a recent \u2018Art Blocks\u2019 drop that ties in with other projects that he\u2019s doing that are related to security and privacy, which I think are really relevant at this time.\u201d\u00a0<\/p>\n<p><a href=\"https:\/\/twitter.com\/ppfeiffer11\" target=\"_blank\" rel=\"nofollow noopener\">Paul Pfeiffer<\/a> \u2014 Video artist\u00a0<\/p>\n<p>\u201cPaul is an amazing video artist. He\u2019s well known and doing his first NFT with <a href=\"https:\/\/twitter.com\/artw__rld\" target=\"_blank\" rel=\"nofollow noopener\">Art World<\/a>. It looks really phenomenal.\u201d\u00a0<\/p>\n<p><a href=\"https:\/\/twitter.com\/hollyherndon\" target=\"_blank\" rel=\"nofollow noopener\">Holly Herndon<\/a> \u2014 Artist working with voice models and artists\u2019 rights\u00a0<\/p>\n<p>\u201cHolly has been studying at Stanford about artists\u2019 rights for a while. She\u2019s known what was coming for many years now. She\u2019s been working with voice models. It\u2019s fascinating stuff.\u201d\u00a0<\/p>\n<h2 id=\"h-notable-collectors\"><strong>Notable collectors:\u00a0<\/strong><\/h2>\n<p>The qualified electrical engineer genius of 0xDEAFBEEF is collected by many notable NFT whale collectors, but it\u2019s other artists in particular who he pointed out make him smile knowing they appreciate his work.\u00a0<\/p>\n<p>\u201cI\u2019m extremely appreciative of all my collectors and anyone that\u2019s taken an interest in my work. The most meaningful ones that have honestly made me smile have been art-for-art trades with other artists.\u201d\u00a0<\/p>\n<p>\u201cI traded a \u2018Glitch Box\u2019 with <a href=\"https:\/\/twitter.com\/ArtOnBlockchain\" target=\"_blank\" rel=\"nofollow noopener\">Snowfro<\/a> for several unminted \u2018Chromie Squiggles.\u2019 I\u2019m really proud to have that in his collection, and also to receive those Squiggles is super meaningful.\u201d\u00a0<\/p>\n<p>\u201cI also traded \u2018Synth Poem\u2019 with <a href=\"https:\/\/twitter.com\/mitchellfchan\" target=\"_blank\" rel=\"nofollow noopener\">Mitchell F Chan<\/a>, who is a conceptual artist that\u2019s been working with blockchain stuff. He has a project from 2017 that\u2019s really relevant called \u2018Digital Zones of Immaterial Pictorial Sensibility.\u2019\u201d<\/p>\n<p>\u201cThen there\u2019s <a href=\"https:\/\/twitter.com\/purphat\" target=\"_blank\" rel=\"nofollow noopener\">Jack Rockland<\/a>, who has held one of my \u2018Synth Poems\u2019 all the way through since March 2021. He works at ArtBlocks and is an artist himself. I\u2019m really proud to have him as a long-time collector.\u201d\u00a0<\/p>\n<h2 id=\"h-favorite-nfts-in-your-wallet-that-aren-t-your-own\"><strong>Favorite NFTs in your wallet that aren\u2019t your own:<\/strong><\/h2>\n<p>\u201cStipple Sunsets\u201d by Jack Rockland.\u00a0<\/p>\n<p>\u201cIt was the first NFT that I minted that wasn\u2019t my own; plus, it was the work of a friend, so it makes it really meaningful for me.\u201d\u00a0<\/p>\n<p><strong>Links:\u00a0<\/strong><\/p>\n<p>Twitter: <a href=\"https:\/\/twitter.com\/_deafbeef\" target=\"_blank\" rel=\"nofollow noopener\">https:\/\/twitter.com\/_deafbeef<\/a>\u00a0<\/p>\n<p>Website: https:\/\/www.deafbeef.com\/\u00a0<\/p>\n<div class=\"subscribe subscribe--inner\">\n<div class=\"container\">\n<div class=\"subscribe__inner\">\n<div class=\"subscribe__content\">\n<p>Subscribe<\/p>\n<p>The most engaging reads in blockchain. Delivered once a<br \/>\n        week.<\/p>\n<\/div>\n<div class=\"subscribe__img\">\n    <img decoding=\"async\" alt=\"Subscribe to Magazine by Cointelegraph Newsletter.\" src=\"https:\/\/cointelegraph.com\/magazine\/wp-content\/uploads\/2022\/10\/reading-copy.png\"\/><noscript><img decoding=\"async\" src=\"https:\/\/cointelegraph.com\/magazine\/wp-content\/uploads\/2022\/10\/reading-copy.png\" alt=\"Subscribe to Magazine by Cointelegraph Newsletter.\"\/><\/noscript>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"author category_page\">\n<div class=\"author__img\">\n\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" alt=\"Greg Oakford\" height=\"300\" width=\"300\" src=\"https:\/\/cointelegraph.com\/magazine\/wp-content\/uploads\/2023\/01\/Greg_Oakford.jpg\"\/><noscript><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/cointelegraph.com\/magazine\/wp-content\/uploads\/2023\/01\/Greg_Oakford.jpg\" alt=\"Greg Oakford\" height=\"300\" width=\"300\"\/><\/noscript>\n\t\t\t\t\t\t<\/div>\n<div class=\"author__content\">\n<h2 class=\"author__name\">Greg Oakford<\/h2>\n<p>Greg Oakford is the co-founder of NFT Fest Australia. A former marketing and communications specialist in the sports world, Greg now focuses his time on running events, creating content and consulting in web3. He is an avid NFT collector and hosts a weekly podcast covering all things NFTs.<\/p>\n<div class=\"author__follow body-l\">\n\t\t\t\t\tFollow the author \t\t\t\t\t\t\t<a href=\"https:\/\/twitter.com\/GregOakford\" target=\"_blank\" rel=\"noopener\">@GregOakford<\/a>\n\t\t\t\t\t\t\t\t\t\t\t<\/div><\/div><\/div>\n<section class=\"news\">\n<\/section>\n<\/div>\n<p><script async src=\"\/\/platform.twitter.com\/widgets.js\" charset=\"utf-8\"><\/script><br \/>\n<br \/><br \/>\n<br \/><a href=\"https:\/\/cointelegraph.com\/magazine\/mad-scientists-nfts-degrade-when-theyre-traded-0xdeafbeef-nft-creator\/\">Source link <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>When NFTs first took off, it was Beeple\u2019s digital art, CryptoPunks and Bored Ape Yacht Club PFPs that dominated the headlines and top sales \u2014 but one individual bucked the trend in a unique way, garnering attention with generative audiovisual art using just a C compiler.\u00a0 That individual was 0xDEAFBEEF, an artist and engineer based [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":61805,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"fifu_image_url":"https:\/\/cointelegraph.com\/magazine\/wp-content\/uploads\/2023\/05\/magazine-NFT-Creator-DeafBeef-scaled.jpg","fifu_image_alt":"","footnotes":""},"categories":[575],"tags":[],"class_list":["post-61804","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-crypto-gaming"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - 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